CHAPTER 11 And so it happened that the punk writer bands of South Street started writing stories,
2 Called pieces,
3 Which were mostly about aBoomers,
4 Who mostly bdied at the end,
5 Horribly,
6 With lots of cbroken rules along the way,
7 Including a lot of dabuse aimed at the reader,
8 And a lot of eplot,
9 And a lot of plot fmanipulation,
10 And a lot of gcardboard characters,
11 And a lot of hobvious messages from the writers,
12 iBut no obscenities or pornications,
13 jAnd nothing about despair or misery or what a big joke everything is,
14 kAnd nothing about the end of the world or how evil Mankind is,
15 Which made punk fiction completely different from the kind of fiction written by lauthors who have their pictures on the back cover.
CHAPTER 21 Nobody paid much attention to the punks,
2 Which was okay with the punks,
3 Because they were busy,
4 Writing pieces,
5 And trying to read about things,
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6 Even if they had a hard time understanding the things they were curious about,
7 Like how come the Boomers are so awful that even low-life punks can hate them enough to write nasty pieces about them?
CHAPTER 31 Then one day a stranger came to mPunk City,
2 Saying that he had an important message for the punks,
3 And that they should listen closely,
4 Because the stranger knew everything,
5 Including the best way to live.
CHAPTER 41 The punks gathered around the stranger in their usual meeting place,
2 Which was near South Street,
3 But not very public,
4 And listened to what he had to say,
5 Which was an earful.
CHAPTER 51 "My name is called nWayne," said the stranger,
2 "And I come to you with a message from a ofriend of yours,
3 "Who lives in pRio,
4 "But owns property in a lot of countries down south,
5 "And he asked me to tell you that you are doing everything the qwrong way,
6 "Which is a shame,
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